Upon smelling nail polish remover my six year old daughter commented, “It smells like orange and tiger-breath.” How amazing her ability to completely embody her strange and beautiful self. It is a talent she has – to wholly, obliviously stroll by the structures and limits of language into pure voice.
Recently, I’ve been moved by something Anne Fadiman stated in the introduction to “The Opposite of Loneliness” by the late Marina Keegan:
Many of my students sound forty years old. They are articulate but derivative, their own voices muffled by their desire to skip over their current age and experience, which they fear trivial, and land on some version of polished adulthood without passing Go. Marina was twenty-one and sounded twenty-one….a twenty-one who understood that there were few better subjects than being young and uncertain and starry-eyed and frustrated and hopeful.
How often we try to skip our own skin. How often we try to sing in the voice of another. But of all the pitch-perfect notes I hear, I must own the ones off-key because they are mine. She was twenty-one and sounded twenty-one. To speak in the clearest “I” possible…it’s a rare talent indeed.